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dc.contributor.authorKing, Dorothée
dc.date.accessioned2020-03-13T03:41:40Z
dc.date.available2020-03-13T03:41:40Z
dc.date.issued2019-04-01
dc.identifier.isbn10.1386/jcs.8.1.6_1
dc.identifier.urihttps://irf.fhnw.ch/handle/11654/30779
dc.description.abstractThis article discusses tattoo works by contemporary artists Wim Delvoye and Santiago Sierra to raise questions about curating tattooed tableaux vivants. Showing tattoos on living persons in an exhibition context instigates an intriguing curatorial network. The relationship extends from the curator and the artist to the person carrying the artwork. Yet one cannot assume that the three parties act in agreement. Their connection may be social, art-focused or even market-driven. In a newly formed triangle of artistic and curatorial interests, the division of labour and distribution of profits have to be renegotiated.en_US
dc.description.urihttps://doi.org/10.1386/jcs.8.1.6_1en_US
dc.language.isoen_USen_US
dc.relation.ispartofJournal of Curatorial Studiesen_US
dc.accessRightsAnonymous*
dc.subjectSantiago Sierraen_US
dc.subjectWim Delvoyeen_US
dc.subjectcontemporary arten_US
dc.subjectcuratingen_US
dc.subjectliving displayen_US
dc.subjecttableau vivanten_US
dc.subjecttattoosen_US
dc.subject.ddckunstgeschichte, Ausstellungen, kuratierenen_US
dc.subject.ddc700 - Künste und Unterhaltungen_US
dc.titleWhose Skin? Curating Tattooed Tableaux Vivants in Contemporary Arten_US
dc.type01 - Zeitschriftenartikel, Journalartikel oder Magazin*
dc.volumeVolume 8, Number 1en_US
dc.issueVolume 8, Number 1en_US
dc.audienceScienceen_US
fhnw.publicationStatePublisheden_US
fhnw.ReviewTypeAnonymous ex ante peer review of a complete publicationen_US
fhnw.InventedHereYesen_US
fhnw.PublishedSwitzerlandNoen_US
fhnw.pagination6-22en_US
fhnw.IsStudentsWorknoen_US
fhnw.publicationOnlineJaen_US


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