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dc.contributor.authorLurk, Tabea
dc.contributor.authorGrau, Pascale
dc.date.accessioned2019-12-07T12:37:11Z
dc.date.available2019-12-07T12:37:11Z
dc.date.issued2019-09
dc.identifier.urihttps://irf.fhnw.ch/handle/11654/29982
dc.identifier.urihttp://dx.doi.org/10.26041/fhnw-1887
dc.description.abstractThe working group Performative Archives of the PANCH – Performance Art Network CH was given the opportunity in the autumn of 2017 to launch a broad cultural debate on the archiving and transmitting of performance art. Over a period of about one and a half years five think tanks ( Denkpools / DP ) took place in which thematic priorities were discussed in depth with artists, experts from various cultural disciplines and the interested public. It was and is important for the AG to regard the artistic view of the archive at eye level with theoretical approaches and thus to rethink the archive from the bottom up.en_US
dc.language.isode_CHen_US
dc.publisherEigenverlagen_US
dc.rightsAttribution 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by/3.0/us/*
dc.accessRightsAnonymous*
dc.subjectPerformancekunsten_US
dc.subjectDokumentationen_US
dc.subjectArchivierungen_US
dc.subject.ddc700en_US
dc.titleArchives of the Ephemeral - Thinking, Practicing, Interconnectiing, Continuingen_US
dc.type02 - Monographie*
dc.spatialBaselen_US
dc.audiencePraxisen_US
fhnw.publicationStatePublisheden_US
fhnw.ReviewTypeLectoring (ex ante)en_US
fhnw.InventedHereYesen_US
fhnw.PublishedSwitzerlandYesen_US
fhnw.IsStudentsWorknoen_US


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