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dc.contributor.authorDuerschlag, Henryetta
dc.contributor.editorCox, Geoff
dc.contributor.editorDrayson, Hannah
dc.contributor.editorFatehrad, Azadeh
dc.contributor.editorGall, Allister
dc.contributor.editorHopes, Laura
dc.contributor.editorLewin, Anya
dc.contributor.editorPrior, Andrew
dc.date.accessioned2019-02-21T21:24:05Z
dc.date.available2019-02-21T21:24:05Z
dc.date.issued2018
dc.identifier.urihttp://hdl.handle.net/11654/27408
dc.description.abstractAfter a decade of attempts to define artistic research without jeopardizing either the aesthetic, nor the epistemic value, this young discipline seems to find itself at a critical point. The pursuit of the not-yet known may be the smallest common denominator in research practices, and as such, also at core of artistic research. As for artistic practice, however, sensitivity, intuition and creativity are undoubtedly fundamental for any aesthetic production. In the following I want to approach the modus operandi of artistic research using an example of a movement in architecture and design of the first half of the 20th century.
dc.description.urihttps://www.researchcatalogue.net/view/512748/512749
dc.language.isoen
dc.relation.ispartofArtistic Research Will Eat Itself. 9th SAR International Conference on Artistic Research
dc.accessRightsAnonymous
dc.subjectArtistic Research
dc.subjectModernism
dc.subject.ddc700 - Künste, Bildende Kunst allgemeinde
dc.titleArtistic Research Will Eat Itself. Eating Oneself Requires Acrobatics
dc.type04 - Beitrag Sammelband oder Konferenzschrift
dc.spatialPlymouth
dc.event.start2018-04-11
dc.event.end2018-04-13
dc.audienceScience
fhnw.publicationStatePublished
fhnw.ReviewTypeAnonymous ex ante peer review of an abstract
fhnw.InventedHereYes
fhnw.PublishedSwitzerlandNo
fhnw.pagination146-149
fhnw.IsStudentsWorkno


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